Swann, Thomas Burnett

Tagged: Author

(1928-1976) US poet, novelist and academic who taught English literature at Florida Atlantic University, turning to full-time writing in the early 1960s. As an academic he published works on the poet HD (Hilda Doolittle [1886-1961]) and others, including Wonder and Whimsy: The Fantastic World of Christina Rossetti (1960). Much of his fiction – beginning with "Winged Victory" for Fantastic Universe in 1958 – could be described as Science Fantasy, as it posits a sustained Alternate-History version of Earth's history; but its abiding tenor is of Fantasy. Briefly, the Swann version of history centres on the doomed encounter of the Supernatural Creatures of legend – dryads, centaurs, panisci, minotaurs, et al. – with ascendant humanity, climaxing at the time when Rome and Christianity were extending their Imperialisms across the doomed, childlike, prelapsarian world. Most of his tales – all set well before the alternate twentieth century, which Swann clearly found impossible to imagine, and populated by young protagonists before puberty drives them from the Garden – fit into this history. In order of their internal chronology they are: The Minikins of Yam (1976), set around 2500 BCE; the Minotaur sequence, comprising Cry Silver Bells (1977), The Forest of Forever (1971) and Day of the Minotaur (September/October 1964-January/February 1965 Science Fantasy as "The Blue Monkeys"; 1966), set in Mycenaean Crete; the Mellonia sequence, comprising Queens Walk in the Dusk (1977), Green Phoenix (1972) and Lady of the Bees (April 1962 Science Fantasy as "Where is the Bird of Fire?"; exp 1976), set in burgeoning Rome; Wolfwinter (1972), The Weirwoods (1967) and The Gods Abide (1976), the three novels in which humanity's religious and political destruction of the old ways reaches a climax; and a final scattering of nostalgia-choked tales set in the Christian era, The Tournament of Thorns (fixup 1976), Will-o-the-Wisp (1976), The Not-World (1975) and The Goat without Horns (1971). This sequence, each title being a litany of desiderium and dying falls, evoked a warm response from fantasy and sf readers, a response not dissimilar to that evoked by the ecological sf that began to appear around the same time (> Ecology). Swann's early works are generally stronger than his later titles, most of these comprising debilitated prequels to earlier and better tales. Throughout, a finger-pointing sentimentality tends to vitiate the deeply felt over-narrative Swann had committed himself to, but moments of epiphany occur at points, and when they do they evoke a powerful empathy. [JC]

see also: Gods and Demons; Mythology.

Thomas Burnett Swann

born Tampa, Florida: 12 October 1928

died Winter Haven, Florida: 5 May 1976

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Minotaur

Mellonia

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