In the Terminology of sf readers, and more especially publishers, this term has never been clearly defined, although it was the title of a well known UK magazine 1950-1966 (> Science Fantasy), which was also the period when the term was most in general use. More recently it has been partially superseded by the terms Sword and Sorcery and Heroic Fantasy, but it differs from these two categories in that Science Fantasy does not necessarily contain Magic, Gods and Demons, Heroes, Mythology or Supernatural Creatures, though these may be present, often in a quasirationalized form. Science Fantasy is normally considered a bastard genre blending elements of sf and fantasy; it is usually colourful and often bizarre, sometimes with elements of Horror although never centrally in the horror genre. Certain sf themes are especially common in Science Fantasy – Parallel Worlds, other Dimensions, ESP, Monsters, Parallel Worlds, Psi Powers and Supermen – but no single one of these ingredients is essential. Many Science Fantasies are also Planetary Romances (many of the books so described in this volume can be regarded as Science Fantasy). A good discussion of the term, which very nearly builds to a definition through the accretion of examples, is "Science Fantasy" by Brian Attebery in Dictionary of Literary Biography: Volume Eight: Twentieth-Century American Science-Fiction Writers: Part 2: M-Z (1981) edited by David Cowart and Thomas L Wymer. Attebery cites the following as among the more important US authors of Science Fantasy: Marion Zimmer Bradley, Edgar Rice Burroughs, L Sprague de Camp and Fletcher Pratt, Samuel R Delany, Anne McCaffrey, Andre Norton, Jack Vance, John Varley, Roger Zelazny and Gene Wolfe (indeed, in the 1980s Wolfe practically resuscitated the genre single-handedly), to which list should certainly be added Joan D Vinge and (especially the former) C L Moore and Henry Kuttner. Attebery also makes special mention of The Deep (1975) by John Crowley. Twenty-first century texts are rarely described as Science Fantasy in this encyclopedia, where tales that blend genres together are more likely to be thought of as Equipoisal. [PN]
see also: Gamma World; Science and Sorcery; Skyrealms of Jorune.
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