Hardy, Thomas
Entry updated 25 November 2024. Tagged: Author, Theatre.
(1840-1928) UK poet and author, a writer whose greatness was manifest throughout his prolific career; initially most famous for his nineteenth-century novels, beginning with Desperate Remedies (1871 3vols) and concluding with Jude the Obscure (1896), most of them set in the imaginary county of Wessex (roughly corresponding to Dorset). None of them contain explicit narrative elements of the fantastic, though as Brian W Aldiss argued in Billion Year Spree: The History of Science Fiction (1973), Hardy's dramaturgical unpackings of the spectacle of Evolution over the aeons imparts a sensation of Time Abyss; and the expositional narration of galaxies "burning out like candles" in Two on a Tower: A Romance (1882 3vols) is a highly conscious evocation of what would eventually be called the Sense of Wonder. In the frame of a domestic novel of the time, this can be horripilating, which seems to be the author's intention.
Hardy's later fame increasingly depended on his extremely extensive Poetry, much of it deeply distinguished and (in retrospect) transgressive: for the shake and "ugliness" of his verse is as intended as the "ugliness" of Picasso. Most of the thousand individual poems are nonfantastic, though some of the descriptions of the world created by World War One have a proleptic gravity. Several of his short stories are fantasy, and have been usefully assembled, most completely as The Supernatural Tales of Thomas Hardy (coll 1988) edited by Peter Haining.
Closer to sf is a vast verse epic, The Dynasts, published in three volumes as The Dynasts: A Drama of the Napoleonic Wars, in Three Parts, Nineteen Acts, & One Hundred and Thirty Scenes (1904; 1906; 1908). The disquisitional narrative views from an immense distance the historical drama from which examples and narrative episodes are extracted for analysis, though these perspectival hints of the Scientific Romance are drowned in cloud; the voices conferring over the fate of Homo sapiens embody various principles, including Creative Evolution in bodily form, the whole comprising a symposium on the nature of history, and of the future. The outlook for the human species is not ungrim. [JC]
Thomas Hardy
born Stinsford, Dorset: 2 June 1840
died Dorchester, Dorset: 11 January 1928
works (highly selected)
plays
- The Dynasts: Part First: A Drama of the Napoleonic Wars, in Three Parts, Nineteen Acts, & One Hundred and Thirty Scenes (London: Macmillan and Company, 1904) [play: continuous through three volumes: hb/]
- The Dynasts: Part Second: A Drama of the Napoleonic Wars, in Three Parts, Nineteen Acts, & One Hundred and Thirty Scenes (London: Macmillan and Company, 1906) [play: continuous through three volumes: hb/]
- The Dynasts: Part Third: A Drama of the Napoleonic Wars, in Three Parts, Nineteen Acts, & One Hundred and Thirty Scenes (London: Macmillan and Company, 1909) [play: continuous through three volumes: hb/]
- The Famous Tragedy of the Queen of Cornwall at Tintagel in Lyonesse: A New Version of an Old Story Arranged as a Play for Mummers in One Act (London: Macmillan and Company, 1923) [play: chap: hb/nonpictorial]
- The Dynasts: An Epic-Drama of the War with Napoleon: Parts I and II (London: Macmillan and Company, 1924) [play: containing first two parts of The Dynasts above: hb/nonpictorial]
- The Dynasts: An Epic-Drama of the War with Napoleon: Part III: The Famous Tragedy of the Queen of Cornwall (London: Macmillan and Company, 1924) [play: omni: containing third part of The Dynasts above plus Queen of Cornwall: hb/nonpictorial]
collections and stories
- The Distracted Preacher and Other Tales (London: Penguin Books, 1983) [coll: in the publisher's Penguin English Library series: pb/G W Cole]
- The Supernatural Tales of Thomas Hardy (London: W Foulsham and Company, 1988) [coll: edited by Peter Haining: hb/]
links
previous versions of this entry