Vizenor, Gerald
Entry updated 8 September 2025. Tagged: Author.
(1934- ) US academic and author, an Anishinaabe Native American of the Minnesota Chippewa Tribe, active as a poet from before 1960; most of his nonfiction and fiction has been addressed to the tragic Native American narrative since the European invasions began in the sixteenth century CE, through which he has eloquently exposed and opposed the conquerors' grouping of dozens of geographically, culturally and linguistically distinct North American civilizations as "Indian"; much of his fiction can be read as deeply corrective Westerns. He is of strong sf interest for his first novel, Darkness in Saint Louis Bearheart (1978; rev vt Bearheart: The Heirship Chronicles 1990), a Near Future tale set in an America devastated by Ecological exploitation of the land, primarily on the part of oil companies; the cast enter upon a Fantastic Voyage across this Ruined Earth, guided and occasionally guided by the protagonist, Proude Cedarfair, who like many of Vizenor's central creations Equipoisally presents himself as man and bear and Trickster [see The Encyclopedia of Fantasy under links below] (see also Magic Realism).
Vizenor's later fiction tends to eschew direct sf shapings, but consistently provides clear examples of mature Fantastika. The protagonist of Griever: An American Monkey King in China (1986) is a paradigm Trickster figure (see also Apes as Human); The Trickster of Liberty: Native Heirs to a Wild Baronage (fixup 1988) brings loosely together characters from both Griever and Bearheart. The Heirs of Columbus (1991) presents a kind of secret history of the world in which the Mayan civilization, preceding all others, has left a genetic record extending from the Sephardic Jews to Christopher Columbus, whose contemporary descendants compete for his remains, in order to create a new genome. Dead Voices: Natural Agonies in the New World (coll 1992) more conservatively offers a set of recreations of traditional material. The late Native Liberty sequence beginning with Blue Ravens (2014) comprises a loose set of tales depicting Anishinaabe history through the twentieth century, segments of the series being linked through some of its protagonists' Fantastic Voyages and a mythopoeic recurrence of puppets and puppeteers, through whose Satirical impostures the truth of the world is revealed. [JC]
Gerald Robert Vizenor
born Minneapolis, Minnesota: 22 October 1934
works (highly selected)
series
Native Liberty
- Blue Ravens (Middletown, Connecticut: Wesleyan University Press, 2014) [Native Liberty: hb/]
- Native Tributes (Middletown, Connecticut: Wesleyan University Press, 2018) [Native Liberty: hb/]
- Satie on the Seine (Middletown, Connecticut: Wesleyan University Press, 2020) [Native Liberty: hb/]
- Waiting for Wovoka: Envoys of Good Cheer and Liberty (Middletown, Connecticut: Wesleyan University Press, 2023) [Native Liberty: hb/]
- Theatre of Chance: Native Celebrities of Nothing in an Existential Colony (Middletown, Connecticut: Wesleyan University Press, 2025) [Native Liberty: hb/]
individual titles
- Darkness in Saint Louis Bearheart (Saint Paul, Minnesota: Truck Press, 1978) [hb/archive photo]
- Bearheart: The Heirship Chronicles (Minneapolis, Minnesota: University of Minnesota Press, 1990) [rev vt of the above: hb/Karen Lohmann]
- Griever: An American Monkey King in China (Minneapolis, Minnesota: University of Minnesota Press, 1986) [hb/]
- The Trickster of Liberty: Tribal Heirs to a Wild Baronage (Minneapolis, Minnesota: University of Minnesota Press, 1988) [fixup: hb/]
- The Heirs of Columbus (Middletown, Connecticut: Wesleyan University Press, 1991) [hb/]
collections
- Dead Voices: Natural Agonies in the New World (Norman, Oklahoma: University of Oklahoma Press, 1992) [coll: hb/Cleo Patterson]
links
previous versions of this entry