Entry updated 10 January 2022. Tagged: TV.
US animated tv series (2019-current). Disney Television Animation (see Disney on Television). Creator and Executive Producer Matt Braly. Directors include Joseph D Johnston, Derek Kirk Kim, Kyler Spears, Jennifer Strickland and Bert Youn. Writers include Matt Braly, Michele Cavin, Adam Colás, Jenava Mie, Gloria Shen and Jack Ferraiolo. Voice cast includes Anna Akana, Troy Baker, Jill Bartlett, Keith David, Bill Farmer, Justin Felbinger, Amanda Leighton, Brenda Song and Haley Tju. 40 22-minute episodes (usually two stories per episode). Colour.
Thirteen-year-old Thai-American Anne Boonchuy (Song) is peer-pressured by her friends Sasha (Akana) and Marcy (Tju) into stealing an ornate music box from a thrift store. They open it ...
Anne awakes in Amphibia, a Parallel World of anthropomorphized amphibians. She befriends hyperactive ten-year-old Sprig Planter (Felbinger) and the rest of his frog family: sister Polly (Leighton), still a pollywog but with a warrior's soul, and grandpa "Hop Pop" (Farmer), old-fashioned but good-hearted. Anne and Sprig hit it off, frequently encouraging each other into the reckless option, and thus angering monstrous insects, leeches, reptiles and tomatoes (see Great and Small; Monsters).
Underneath the Planter cottage are chambers left by their ancestors, including a Scientist who created a giant pumpkin/animal hybrid (Polly: "This abomination must be destroyed."). They also confront a parasitic (see Parasitism and Symbiosis) mushroom able to control the mind of its hosts: the town of Wartwood is briefly assimilated (Invasion of the Body Snatchers (1978) is directly referenced). Welcoming innkeepers are revealed to be cannibals (though they'll happily chew on Anne too): fortunately, spotting barrels of baking soda and vinegar, Anne cracks her knuckles and declares "Finally, a chance to use everything I know about chemistry." Sprig becomes temporarily engaged to Maddie (Bartlett), an unsettling child witch: "I've seen your death in my mind." Sometimes lessons are learnt, usually half-heartedly ("... right, right, the lesson thing."). Anne overcomes the town's initial hostility, eventually winning its "Frog of the Year" award.
Sasha has been imprisoned by Grimes (Baker), leader of the toads who control the region. When herons – giant, toothed, dinosaur-like herons – attack his castle, she shows him how to rally his demoralized troops by complimenting them, cynically explaining "get them to love you and they'll do anything for you". She becomes his second-in-command. Hop Pop unwittingly inspires rebellion against the toads (see Politics), so Sasha takes him to Grimes's castle to be fed to a carnivorous plant; she is puzzled when Anne objects. Though initially browbeaten, Anne stands up to her and they fight. The castle's turret collapses and Sasha almost slips off, but Anne grabs her hand and the Planters hold on to Anne: realizing they will all otherwise die, Sasha lets go, but is saved by Grimes before she hits the ground. The toads, with Sasha, depart.
In season two the family goes to Newtopia, "a bustling metropolis full of ancient knowledge" . En route they encounter a derelict Computerized factory that once manufactured Robots: briefly reactivated by Sprig's and Anne's high-jinks, a robot is created that, unknown to the Planters, follows and eventually befriends them. Arriving in Newtopia, Anne finds Marcy established there: unlike the reunion with Sasha, this one is joyful. Marcy's scientific worldview has got her the ear of the seemingly amiable King Andrias (David). Anne is told that in the past the box was used to visit Parallel Worlds by the King's ancestors, who – he assures them – "were peaceful explorers, Scientists if you will": but three temples must be visited to recharge each of the box's now faded jewels. There are hints that the three girls' arrival is part of a prophecy ...
Anne, Marcy and the Planters visit the temples, joined at the third by Sasha and Grimes, with whom an uneasy truce is formed: the jewels are recharged, which unbeknownst to the girls involves draining something from them – though in Anne's case only partially. Returning to Newtopia, Sasha and Grimes attempt to usurp the crown but fail: the box is finally handed to King Andrias, who then announces that his ancestors "were glorious conquerors" and he can now continue their work and rule "not only this world but all worlds" (see Imperialism); his castle then rises into the air, powered by advanced Technology. Andrias also reveals that Marcy is complicit in his plans and responsible for the trio being in Amphibia. Anne and Planters end up on Earth – but only after seeing Marcy run through with the King's sword. The extraordinary season two finale was pulled the day before broadcast: it was only shown three weeks later with a content warning and a season three trailer appended which revealed Marcy was still alive, albeit suspended in a liquid-filled jar and attached to various tubes.
Though Anne has a loving family on Earth, it can be inferred that Sasha does not (Grimes is clearly a father figure to her), whilst Marcy's actions were the result of her parents announcing they were moving to another state. In a stunningly animated scene Anne briefly turns into an Anime-style magical girl – though more violent than is typical, deliberately echoing Goku going Super Saiyan in Dragon Ball Z (1989-1996). The first half of season three has the Planters living with Anne and her endearing parents in Los Angeles (see California); their success in remaining clandestine is mixed; Anne seeks a way back to Amphibia and the Planters learn about Thai culture. A Mad Scientist who had recorded the energy surge caused by the initial opening of the box has created a nearly-working dimensional portal. Meanwhile, in Amphibia, Sasha and Grime have fled to Wartwood; a penitent Sasha is unable to cross the threshold of the Planter's house. In Newtopia, Andrias's master, the Core – an immortal "collection of Amphibia's greatest minds" – is Uploaded into Marcy's brain.
Amphibia is a major animated series, created by a former director of Gravity Falls (2012-2016): it is imaginative, funny, with appealingly odd moments and asides ("... Aaaand there's the weird dark turn"); it also provides an affecting character arc for Anne, as she gradually acquires responsibility and self-belief. There are moments in all seasons that carry great emotional heft. [SP]
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