Fowler, Christopher
Entry updated 1 July 2024. Tagged: Author.
(1953-2023) UK advertising copywriter, film marketer (through his firm The Creative Partnership) and author, mostly of Horror tales and thrillers, also using the pseudonym L K Fox. He began to publish work of genre interest with the stories assembled in his first work of fiction, City Jitters (coll 1986): several of these tales are focused on London, where much of his work was set, including his first novel, Roofworld (1988), which initiates the loose London Quartet sequence of tales set in a displaced vision of the City. Though nothing explicitly fantastic occurs in the tale, the extremity of its venue and telling – a nocturnal war breaks out among Wainscot Society gangs who live on the city's roofs – creates a sense of Urban Fantasy at its edgiest [see The Encyclopedia of Fantasy under links below for this term as used here]. Further volumes in the sequence include Rune (1990), which is remotely derived from M R James's "Casting the Runes" (in More Ghost Stories of an Antiquary, coll 1911), Red Bride (1993) and Darkest Day (1994; rev vt Seventy-Seven Clocks 2005); Rune and Darkest Day also serve as precursors to the extended Bryant and May sequence (see below). Other tales threaten to break through the envelope of the fantastic, but generally hold back from rupture, the better perhaps to depict the lives of men and women who seem to enjoy little hope of escape; exceptions include Spanky (1994), a very modern deal-with-the-devil fantasy, and Hell Train (2011), a lovingly melodramatic homage to a wide variety of Hammer horror film tropes whose various stories unfold aboard the hell-bound train.
A long series of detective thrillers, the Bryant and May sequence – the series specifically so surtitled beginning with Full Dark House (2003) and ending with London Bridge Is Falling Down (2021) – occasionally relaxes into something like fantasy or sf, though guardedly. Frequently, through elatedly "implausible" storylines, the series as a whole can be thought of in terms of the lateral fantastic (see Fantastika), where concinnity becomes inherently nonmimetic, as apophenic as a dream of being chased. The titular protagonists had already featured in Rune, Darkest Day (recast for this series as Seventy-Seven Clocks) and Soho Black (1998), a supernatural fiction featuring a character who, convinced by a powerful Drug that he has died, suddenly dominates the Soho film scene. Despite their increasingly great age, Arthur Bryant and John May remain central to the Peculiar Crimes Unit connected variously to the Home Office and the Metropolitan Police, and located variously above Mornington Crescent tube station in Hampstead Road and in the Caledonian Road in nether Islington; always in north London. Beginning with Full Dark House, which is set in 2003 and in the Blitz (see World War Two) where the duo first meet, Bryant and May engage in cases over the decades that sometimes take them into strange regions Underground, into encounters with soi-disant Secret Masters, local Mythology and psychogeography, and variously call upon them to cope with a London whose fluvial past constantly interpenetrates the present; individual plots, some of them unpacking into Commedia dell'Arte extravagances, seem generally shaped to elucidate aspects of the world City, visions evocative of the Babylon-on-Thames London created by Robert Louis Stevenson in New Arabian Nights (coll 1882 2vols) and darkened in Arthur Machen's The Three Impostors (1895).
In Seventy-Seven Clocks, perhaps the most science-fictional of these cases, the "mastermind" behind a string of bizarre murders proves to be a Steampunkish clockwork calculating engine or Automaton created in Victorian times to identify commercial threats to a family business, triggering the automatic elimination of enemies of the family by hired assassins; at the time of the narrative action in 1973, as recollected by Bryant three decades later, this mechanism is badly out of order and has begun to target the large family itself. The back-story of The Invisible Code (2012) features a kind of boutique Pandemic: a manufactured virus mutated from avian flu that triggers suicidal impulses in dark-skinned victims (ie those with high amounts of melanin their skin) (see Race in SF); Bryant's apparent decline into dementia in Bryant & May: Strange Tide (2016) presents in the form of Timeslips into London's past, whether hallucinatory or literal never made quite clear, from which spring visions of "secret synchronicities" at the heart of the "true" story of London he characteristically derives illumination; Bryant & May's Peculiar London (2022), a guidebook conducted as a conversation between the two, is occasionally fabular.
Very little of what Fowler wrote can be straightforwardly understood as sf, except perhaps The Sand Men (2015), a crime tale set in a cruel Near Future Dubai, which much resembles the present-day country in the way that late J G Ballard novels resemble the worlds they subtly transform into alien scapes, and can be read transferring upwards to an even harsher world some of the themes embedded in Eight Months on Ghazzah Street (1988) by Hilary Mantel. In everything Fowler published, whether or not ostensibly designed to convey alarums about the contemporary world as a whole, a wicked and acute intelligence infiltrates warningly. [JC/DRL]
Christopher Robert Fowler
born London: 26 March 1953
died London: 2 March 2023
works
series
London Quartet
- Roofworld (London: Century/Legend, 1988) [London Quartet: hb/Ali Bey]
- Rune (London: Century, 1990) [London Quartet: see also Bryant and May below: hb/nonpictorial: pb/Graham Humphreys]
- Red Bride (London: Little, Brown, 1992) [London Quartet: pb/Mark Taylor]
- Darkest Day (London: Little, Brown, 1993) [see Seventy-Seven Clocks below under Bryant and May: London Quartet: hb/Mark Taylor]
Bryant and May
- Rune (London: Century, 1990) [see also London Quartet above: Bryant and May: hb/nonpictorial: pb/Graham Humphreys]
- Darkest Day (London: Little, Brown, 1993) [see also London Quartet above: Bryant and May: hb/Mark Taylor]
- Seventy-Seven Clocks (London: Doubleday, 2005) [rev vt of the above: Bryant and May: hb/Adam Willis]
- Soho Black (London: Warner Books, 1998) [Bryant and May: pb/Martin Butterworth]
- Full Dark House (London: Doubleday, 2003) [Bryant and May: hb/Jake Rickwood]
- The Water Room (London: Doubleday, 2004) [Bryant and May: hb/James MacFarlane]
- Ten-Second Staircase (London: Doubleday, 2006) [Bryant and May: hb/David Frankland]
- White Corridor (New York: Bantam Books, 2007) [Bryant and May: hb/Christopher Gibbs]
- The Victoria Vanishes (London: Doubleday, 2008) [Bryant and May: hb/David Frankland]
- On the Loose (London: Doubleday, 2009) [Bryant and May: hb/David Frankland]
- Off the Rails (London: Doubleday, 2010) [Bryant and May: hb/David Frankland]
- Bryant & May and the Memory of Blood (London: Doubleday, 2011) [Bryant and May: hb/David Frankland]
- Bryant & May and the Invisible Code (London: Doubleday, 2012) [Bryant and May: hb/David Frankland]
- The Casebook of Bryant & May (Hornsea, East Yorkshire: PS Artbooks, 2013) with Keith Page [coll: graph: Bryant and May: illus/hb/Keith Page]
- The Bleeding Heart (London: Doubleday, 2014) [Bryant and May: hb/David Frankland]
- Bryant & May and the Bleeding Heart (New York: Bantam Books, 2014) [vt of the above: Bryant and May: hb/Sarah Coleman]
- Bryant & May: London's Glory (London: Doubleday, 2015) [coll of linked stories: Bryant and May: hb/David Frankland]
- Bryant & May: The Burning Man (London: Doubleday, 2015) [Bryant and May: hb/David Frankland]
- Bryant & May: Strange Tide (London: Doubleday, 2016) [Bryant and May: hb/Max Schindler]
- Bryant & May: Wild Chamber (London: Doubleday, 2017) [Bryant and May: hb/Max Schindler]
- Bryant & May: Hall of Mirrors (London: Doubleday, 2018) [Bryant and May: hb/Max Schindler]
- Bryant & May: The Lonely Hour (London: Doubleday, 2019) [Bryant and May: hb/Max Schindler]
- Bryant & May: England's Finest: More Lost Cases from the Peculiar Crimes Unit (London: Doubleday, 2019) [coll of linked stories: Bryant and May: hb/Max Schindler]
- Bryant & May: Oranges and Lemons (London: Doubleday, 2020) [Bryant and May: hb/Max Schindler]
- Bryant & May: London Bridge Is Falling Down (London: Doubleday, 2021) [Bryant and May: hb/Max Schindler]
- Bryant & May's Peculiar London (London: Doubleday, 2022) [fiction/nonfiction: Bryant and May: hb/Max Schindler]
individual titles
- Spanky (London: Warner Books, 1994) [pb/photographic]
- Psychoville (London: Warner Books, 1995) [pb/Jay Eff]
- Disturbia (London: Warner Books, 1996) [pb/Jay Eff]
- Calabash (London: Warner Books, 2000) [pb/]
- The Curse of Snakes (London: Andersen Press, 2010) [pb/]
- Hell Train (Oxford, Oxfordshire: Solaris, 2011) [pb/Graham Humphreys]
- Nyctophobia (Oxford, Oxfordshire: Solaris, 2014) [pb/Pye Parr]
- The Sand Men (Oxford, Oxfordshire: Solaris, 2015) [pb/Pye Parr]
collections
- City Jitters (London: Sphere Books, 1986) [coll: pb/]
- More City Jitters (New York: Dell Books, 1988) [coll: pb/Joe Burleson]
- The Bureau of Lost Souls (London: Century, 1989) [coll: hb/nonpictorial: pb/Martin Butterworth, Mia Matson]
- Sharper Knives (London: Warner Books, 1992) [coll: pb/Mark Taylor]
- Flesh Wounds (London: Warner Books, 1995) [coll: pb/]
- Uncut: Twenty-One Short Stories (London: Warner Books, 1999) [coll: pb/Martin Butterworth/Jay Eff]
- The Devil in Me (London: Serpent's Tail, 2001) [coll: pb/Martin Butterworth]
- Breathe (Tolworth, Surrey: Telos Publishing, 2004) [novella: pb/]
- Demonized: Short Stories (London: Serpent's Tail, 2004) [coll: pb/Wall]
- Old Devil Moon (London: Serpent's Tail, 2007) [coll: pb/Harriman Steel]
- Red Gloves, Volume 1: The London Horrors (Hornsea, East Yorkshire: PS Publishing, 2011) [coll: dos: hb/Graham Humphreys]
- Red Gloves, Volume 2: The World Horrors (Hornsea, East Yorkshire: PS Publishing, 2011) [coll: dos: hb/Graham Humphreys]
- Frightening (London: Transworld Digital, 2017) [coll: ebook: na/]
nonfiction (selected)
- Paperboy (London: Doubleday, 2009) [nonfiction: memoir: hb/]
- Word Monkey (London: Penguin, 2024) [nonfiction: memoir: pb/]
links
- Christopher Fowler
- Internet Speculative Fiction Database
- The Encyclopedia of Fantasy: Urban Fantasy
- Picture Gallery
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