Machen, Arthur
Entry updated 12 September 2022. Tagged: Author.

(1863-1947) Welsh translator, actor and author, born Arthur Llewellyn Jones, his parents adding Machen apparently in an attempt to please a rich relative. Machen was an isolated, lonely child, and was from a very early age deeply devoted both to romantic literature and to the Welsh landscape that visually dominated his writings all his life. He also imaginatively applied his extensive if somewhat random readings in the occult and metaphysics to his Welsh background. He was in London for long periods from 1880. The death of his father in 1887 provided him with enough money to marry and to write, but by around 1904 he was once again poverty-stricken. He went on the stage for much of the following decade, and until he became financially secure after about 1920 did a great deal of hackwork. By the time he was rediscovered in the 1920s he was near retirement and no longer capable of producing high-calibre material.
With influences ranging from William Morris to Robert Louis Stevenson and associations from John Lane's Bodley Head (in the 1890s when it was publishing The Yellow Book) to the Order of the Golden Dawn (whose occultist members included Algernon Blackwood, William Butler Yeats and Aleister Crowley [see The Encyclopedia of Fantasy under links below]), and throughout embodying a conviction that Devolution and racial degeneracy were scientific facts (his Little People are the decayed descendants of a primitive race that once inhabited the whole of Britain), Machen's fiction generally shies clear of sf as practised in the late-Victorian and Edwardian UK; most of his best tales are horror or occult fantasies. They tend to be set in a medievalized England with Welsh tinges, with those located in London – like the novella, "A Fragment of Life" (February 1904 Horlick's Magazine) – being irradiated by deeply romantic visions of alternatives to the industrial world which he saw dominating England, and despised. In both his work and his appearance he resembled a malefic G K Chesterton. His first book of fiction, The Chronicle of Clemendy [see Checklist for subtitle] (coll 1888) comprises exuberant pastiche tales in medieval mode, some fantastic, all visibly influenced by Chaucer and Rabelais but set in a version of Machen's home county Monmouthshire or Gwent.
"The Great God Pan" (13 December 1890 The Whirlwind; much rev as title story of The Great God Pan and The Inmost Light, coll 1894; exp 1926), is typical of Victorian sf/horror at about the time sf was beginning to shed its Gothic elements into a separate Horror/fantasy genre. The tale is complexly framed into a kind of Club Story whose participants can be understood as savagely complicit in the events narrated, a premise which underlies Peter Straub's reworking of some elements of the tale in Ghost Story (1979). At the first there is an sf rationale (brain surgery) for a metamorphosis which remains one of the most dramatically horrible and misogynistic in fiction: the evil female offspring of the operated-on idiot girl grows into a malign being, apparently a woman, but actually a half-human horror (see Devolution) whose father may have been the horned god of the story's title. Though less clearly sustained by sf argument, The Three Impostors; Or, the Transmutations (fixup/coll of linked stories 1895) also complicatedly utilizes the conventions of the Club Story, in this case to present a secular vision of Transcendence as opening the way between the phenomenal world and true reality.
The Angels of Mons, The Bowmen and Other Legends of the War (coll 1915), a collection most famous for "The Bowmen" (29 September 1914 London Evening News), heatedly invokes supernatural aid for the Allies in World War One; this fiction grew into a much-repeated and sometimes angrily defended Urban Legend. The Terror: A Fantasy (October 1916 Evening News; 1917) is quasi-sf in its story of animals such as sheep turning en masse against humans, distantly prefiguring The Birds (1963) directed by Alfred Hitchcock. Through work of this sort, Machen's influence, via H P Lovecraft and others, has been strong on twentieth-century Gothic SF. [JC/PN/DRL]
see also: Grey Goo.
Arthur Machen
born Caerleon, Monmouthshire, Wales: 3 March 1863
died Beaconsfield, Buckinghamshire: 15 December 1947
works (selected)
- The Three Impostors; Or, the Transmutations (London: John Lane, 1895) [fixup/coll of linked stories: in the publisher's Keynote series: hb/Aubrey Beardsley]
- Black Crusade (London: Corgi Books, 1966) [vt of the above: pb/]
- The Hill of Dreams (London: E Grant Richards, 1907) [illus/Sidney H Sime]
- The Great Return (London: The Faith Press, 1915) [hb/T Noyes Lewis]
- The Terror: A Fantasy (London: Duckworth and Company, 1917) [first appeared October 1916 Evening News: hb/]
- The Green Round (London: Ernest Benn Limited, 1933) [hb/]
collections
series
Collected Fiction
- Collected Fiction, Volume 1: 1888-1895 (New York: Hippocampus Press, 2019) [coll: edited by S T Joshi: Collected Fiction: pb/Matthew Jaffe]
- Collected Fiction, Volume 2: 1896-1910 (New York: Hippocampus Press, 2019) [coll: edited by S T Joshi: Collected Fiction: pb/Matthew Jaffe]
- Collected Fiction, Volume 3: 1911-1937 (New York: Hippocampus Press, 2019) [coll: edited by S T Joshi: Collected Fiction: pb/Matthew Jaffe]
individual titles
- The Chronicle of Clemendy: or, The History of the IX. Joyous Journeys. In Which Are Contained the Amorous Inventions and Facetious Tales of Master Gervase Perrot, Gent., Now for the First Time Done Into English (no place give: "Privately Printed for the Society of Pantagruelists", 1888) [coll: hb/]
- The Chronicle of Clemendy: or, The History of the IX. Joyous Journeys. In Which Are Contained the Amorous Inventions and Facetious Tales of Master Gervase Perrot, Gent., Now for the First Time Done Into English (Newport, Gwent: Three Impostors, 2022) [coll: with new introduction and text notes: illus/Jon Langford: hb/nonpictorial]
- The Great God Pan and The Inmost Light (London: John Lane, 1894) [coll: in the publisher's Keynote series: hb/]
- The Great God Pan (London: Martin Secker, 1926) [exp vt of the above: in the publisher's New Adelphi Library series: hb/]
- The House of Souls (London: E Grant Richards, 1906) [coll: hb/Sidney H Sime]
- The Angels of Mons, The Bowmen and Other Legends of the War (London: Simplin, Marshall, Hamilton, Kent and Co, 1915) [coll: chap: pb/uncredited]
- The Angels of Mons, The Bowmen and Other Legends of the War (London: Simplin, Marshall, Hamilton, Kent and Co, 1915) [coll: exp of the above: pb/]
- The Children of the Pool and Other Stories (London: Hutchinson and Company, 1936) [coll: hb/]
- The Cosy Room (London: Rich and Cowan, 1936) [coll: hb/uncredited]
posthumous collections (selected)
- Tales of Horror and the Supernatural (New York: Alfred A Knopf, 1948) [coll: hb/George Salter]
- Tales of Horror and the Supernatural: Volume One (New York: Pinnacle Books, 1971) [cut vt of the above: comprising the first half of the original: pb/]
- Tales of Horror and the Supernatural: Volume Two (New York: Pinnacle Books, 1973) [cut vt of the above: comprising the second half of the original: pb/]
- The Best Weird Tales of Arthur Machen, Volume 1: The Three Impostors and Other Stories (Hayward, California: Chaosium, 2001) [coll: edited by S T Joshi: pb/Harry Fassl]
- The Best Weird Tales of Arthur Machen, Volume 2: The White People and Other Tales (Hayward, California: Chaosium, 2004) [coll: edited by S T Joshi: pb/Harry Fassi]
- The Best Weird Tales of Arthur Machen, Volume 3: The Terror and Other Tales (Hayward, California: Chaosium, 2004) [coll: edited by S T Joshi: pb/Harry Fassi]
- Autobiographical Writings (New York: Hippocampus Press, 2020) [nonfiction: coll: edited by S T Joshi: pb/]
- A Little Brown Book of Unnatural Narratives (Baltimore, Maryland: Borderlands Press, 2022) [coll: author's name wrongly printed as Robert W Chambers on book cover: hb/nonpictorial]
nonfiction
- The Autobiography of Arthur Machen: Far Off Things, Things Near and Far (Leyburn, North Yorkshire: Tartarus Press, 2017) [autobiography: hb/]
- Hieroglyphics: A Note Upon Ecstasy in Literature (Leyburn, North Yorkshire: Tartarus Press, 2019) [nonfiction: hb/]
about the author
- Harold Begbie. On the Side of the Angels: A Reply to Arthur Machen (London: Hodder and Stoughton, 1915) [nonfiction: argues that "The Bowmen" is based on telepathic messages: pb/]
- William Francis Gekle. Arthur Machen: Weaver of Fantasy (Millbrook, New York: Round Table Press, 1949) [bibliography: biography: hb/nonpictorial]
- Adrian Goldstone and Wesley Sweetser. A Bibliography of Arthur Machen (Austin, Texas: University of Texas, 1965) [bibliography: hb/]
- D P M Michael. Arthur Machen (Cardiff, Wales: University of Wales Press, 1971) [nonfiction: chap: "Writers of Wales" series: pb/nonpictorial]
- Donald M Hassler. Arthur Machen & Montgomery Evans: Letters of a Literary Friendship, 1923-1947 (Kent, Ohio: The Kent State University Press, 1994) with Sue Strong Hassler [nonfiction: coll: hb/]
- Mark Valentine. Arthur Machen (Bridgend, Mid Glamorgan, Wales: Seren, 1995) [biography: hb/photograph of Machen]
- David Clarke. The Angel of Mons: Phantom Soldiers and Ghostly Guardians (Chichester, West Sussex: Wiley, 2004) [nonfiction: hb/]
links
- Friends of Arthur Machen
- Internet Speculative Fiction Database
- The Encyclopedia of Fantasy: Aleister Crowley
- Picture Gallery
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